You may have heard of The Dictionary of Obscure Sorrows, a dictionary of words invented by John Koenig to describe feelings that everyone has surely felt at some point in their lives but that we don’t have “official” words for. Koenig’s dictionary is lovely, poetic, and thought-provoking, but his terms are so broadly applicable to a general audience that they miss the 18-22 year old college demographic, and consequently, the daily drama college students go through. I realized that someone needed to come up with a list of college-specific sorrows — ones that almost everyone has probably felt at some point, in some way, shape, or form — and make them obscure no longer.

You may be wondering what baroque rock entails, seeing as the two genres could not be further apart, at least sonically. According to baroque.org, characteristics of baroque music include loud and soft dynamics, emphasis on harmony, and the use of string instruments and the harpsichord. Baroque rock adopts these musical qualities and mixes them with the electric guitars, drum beats, and bass lines associated with rock music. As a result, baroque rock creates a compelling combination of rock and classical music, complete with elaborate classical instrumentation and functional harmony.